Home
Page
Islamic Theology Human Relations Select Disciplines Comparative Religion

Theology>>The Holy Quran>>Al-Fatehah

bismillah.gif (1402 bytes)
Intro to Study of Quran
The Miracle of Miracles
Preservation and Authenticity 
of Holy Quran
Preservation of The Quran
Way to Quran
Arabic Letters
Quran Art in Arabic
Listen to Quran
Quran Audio: Short Surahs
The Quran and Modern Science
25 Du'as from the Holy Quran
Analysis of English Translations
Books on Quran
 
Chapter Introductions
The Quran Translation by Yusuf Ali
The Quran Translation by M. Pickthall
 
The Quran on War, peace and Justice
The amazing Quran
What they say about The Holy Quran
 
 
 Email List Subscription
 Search
 Feedback

 

 

 

 

 

 

 

 

 

 

(Click on the image to see actual size)

Ink, gouache and gold on paper

              Despite the abolition of Arabic calligraphy in 1923 by Mustafa Kamal Ata'turk, the first President of The Republic of Turkey, modern Turkish masters still are considered to be among the leading practitioners of Arabic calligraphy in the Islamic world. This is not surprising when one recalls that, from the late Middle Ages onward, Ottoman masters were arguably the finest exponents of all the calligraphic scripts devised by the Arabs, the Persians and the Turkish themselves.
              This composition consists of the opening Surah of the Qur'an, al-Fatiha (the exordium). It reads:

                   "In the name of God, The Compassionate, The Merciful; Praise be to God; the Cherisher and Sustainer of the Worlds; The Compassionate, The Merciful; Master of the Day of Judgment. Thee do we worship, and thine aid do we seek. Show us the straight way; The way of those on whom Thou hast bestowed Thy Grace, Those whose portion is not wrath, And who go not astray."

              This is written in Thuluth Jali (large format Thuluth) by Hamid al-Amidi (1891 -1982), who was born Musa Azmi, one of Turkey's most famous modern calligraphers. Hamid was a student of many famous calligraphers: Haci Hafiz Bey, Kamil Akdik, Hulusi Efendi and Ismail Hakki Altunbezer. Hamid worked as a teacher of calligraphy from 1910- until 1912, then as a cartographer at the Military College until 1918, before devoting himself full-time to the practice of his art. He copied the Holy Qur'an twice and did the  inscriptions on the Sisli Mosque in Istanbul. The decoration is based on a traditional style of manuscript  illumination.

Source: http://www.islamicart.com